Writing

3 Perks of Being a Writer (aka stuff I discovered my last semester of undergrad)

Hello all!

As some of you know, I have graduated with my BA in English *cue roaring applause.* Thank you, thank you. Anyway, being a recent-undergrad grad, I find myself lost in a sea of post-grad depression. I’m discovering it’s very hard to be determined and focused without the familiar structure of school plus work-life. Without one half of that combo, all I do is work and come home, which leaves me a lot more time to just… think, and I have done a lot of that recently.

I call it thinking, but really I’m just drowning in a sea of nostalgia. I think it may be that it just recently happened, but I have been ruminating on my final creative writing class. It was so different, and the professor was just as different. This professor just boggled my brain. Don’t get me wrong, I learned a lot throughout my entire undergraduate career, but something about that final class during that final semester just really resonated with me. I talk a lot about writing, the crafting of it, the mechanics of it, etc. However, I didn’t realize there were also a set of perks that came along with the title of writer. That is what my final creative writing class taught me, and I wanted to share some of those today.

Well, enough of that. Let’s get going.

  1. Calling yourself what you are — a writer — can open some doors.
    Of course it’s always nice to have the proof to back it up, but just by claiming you are from the get-go, it can provide a huge amount of opportunities. For example, I’ve been working on a piece centered around the history of a bronze sculpture. It probably goes without saying that I know jack squat about bronze and how it reacts to certain elements and time in general. So, I did some googling and found a person that works with bronze metals and restores older pieces from various stages of wear tear. I sent him an email, making sure I mentioned that I was just a writer hoping to expand my knowledge on the subject. He was beyond helpful. He sent pictures, asked me questions about my fictional bronze sculpture, and even helped shaped my story. Just by letting him know I was writer and wanted to learn, I gained so much knowledge and ended up having a great experience I might not have otherwise.
  2. You are always building a portfolio.
    If you are a writer, you are also a creator. You are constantly creating something, and as such you are always building a portfolio. My professor always told us to attack everything we wrote as if someoneanyone might read it. That is something I never really thought of when writing, but it has become truer and truer the farther I travel from my undergraduate career into my professional one. You don’t really realize how many of the pieces you work on you can eventually use in a professional setting. I recently (and by recently I mean 3 weeks ago) I was hired by my dream company *cue second roaring applause.* Thank you, thank you, but surprisingly (or perhaps, unsurprisingly) my job doesn’t directly deal with writing in any way. Even so, I had so much to put on my resume and into my portfolio that proved I was capable of working in a professional setting. They proved to my now-employer that I could meet deadlines, that I could communicate effectively, and that I was able to complete projects effectively. I provided them with multiple versions of one piece to prove I had an eye-for-detail, that I am dedicated, and that I am not discouraged by failure. By constantly creating, you are constantly creating proof of your skills and character. We spend so much time learning to show and not tell, and by doing so, we are creating ways to show our skills, rather than just tell people we have them.
  3. You can always be a writer.
    No matter what path my life takes, I will always be a writer. If I stay on my current career path, if I decide to do something else, if 40 years pass, if pen and paper become obsolete, if we all have to move to another planet, if the world implodes… doesn’t matter. I can and will always be a writer. As long as you writer, you are a writer. A writer is someone who writes journals, who writes for a newspaper, who writes just for their mom, who blogs, who writes grocery lists, who writes poems, who writes stories, who tells stories, who records stories on a laptop, phone, tape recorder… if you believe you are a writer, all you need to do to prove it is to write. Simple as that. To prove you are a doctor, you need a license. To prove you are a NASA employee, you need references, or name badges, or check stubs… but a doctor doesn’t need a license to prove he is a writer, too. He is a writer because he writes.

Are these perks super cool? Probably not to everyone, and maybe not even that cool to many of my fellow writers. Regardless, I hope you got something out of this. Be proud, writers. Read, write, repeat.

Thanks for reading.

-Lissy

Writing

Where is “The End”

Hello all!

I’ve made it a point to go back and look through old posts, edit them, refine them, and cringe at them. This was the first post I ever made on this blog/website/thing. How ironic that the beginning was about the end. What is more ironic? I preached, repeatedly in that old post that there is an end. You shouldn’t feel obligated to change things, to keep going, etc. Yet, here I am, going back to posts I thought were at one time finished, and keeping them going.

The reason I chose this post? I changed my mind. Simple as that.

There is an end, but it can always be changed. Now prepare for my anecdote as to why I’ve had this change of heart:

This fall (Fall 2016) was the last semester of my undergraduate degree. I took classes just for the sake of credits, so I had a chance to take classes I wanted, rather than classes I needed. I took an advanced creative writing class where the theme was “Ghosts.” Super cool, right? Anyway, we had to have one-on-one sessions with the professor. We were to bring a piece we wanted him to look over, and we’d spend the time talking about it. It was super generative and very helpful.

I brought an older piece that I’ve been working on on-and-off for the past year or two. He read it over, silent, for a good fifteen to twenty minutes. He stopped and said “It was fun.” I was pleased. I thought it was done. I was ready to start writing cover letters and sending it off to publications. Then, he asked me, “Why did you bring it?” I sat there for a while, mulling that question over. Why? Why not? I wanted someone with experience to look it over? I wanted someone to say “yay” or “nay,” to it? I wanted a lot of things, but I didn’t know how to respond. He clarified, “There’s a reason you’re still looking this over. If it was done, you wouldn’t bring it.”

That was so true. I wouldn’t keep looking at it if I didn’t feel there was something more. If I didn’t feel there was something I was missing, why wait to send it off? I didn’t have a good answer. Then, I remembered this old post I wrote. This post where I said there comes a time that you just need to stop. There is an end, and sometimes you have to force yourself to put it away. While I do think there comes a point where you start over-editing, over-writing, etc. I also think you shouldn’t settle. If you feel like something isn’t right, don’t stop writing. Don’t stop editing. Keep going because you may eventually find a better end than you had before.

So, I’m going to keep working on this piece. I am also going to go back and edit some of these posts because, let’s face it, they are definitely not done.

Be proud. Keep writing. Keep submitting. Be writers.

Thanks for reading.

-Lissy

Personal Posts

I’ve Been Rejected

Hello friends, newcomers, etc. It’s been a long time since I’ve written a blog post. Rather, it’s been a long time since I felt I had something worth blogging about. Recently, I’ve had a spurt of poetry submissions flying from my desk. As I’ve said time and time again, I never thought of myself as a poet. Yet, that particular form seems to be the only one my mind is capable of creating as of late.

Thankfully, I’ve had some good luck. I have a poem coming out in a magazine. I also have a short story being published in an anthology. Did I mention I’m also getting paid for these publications? As many of my writer friends know, it’s hard to find a paid publication, especially ones that take on new, unsolicited manuscripts.

Even though I’ve had so many positive outcomes from my publishing pursuits, and I’ve made sure to document it all on social media, there’s something I haven’t really talked about with anyone.

For every one acceptance email/letter I receive, I get about 10 of these:

Why do I bring this up? Because I almost always post on  Facebook, Instagram, Twitter, etc. about all of my accomplishments. No one sees the rejections. While, yes, it is a good bit disheartening to see a rejection in my mailbox, I am proud of my rejections. I am not ashamed. I created something I felt was worthy of being read. I put it out in the world to be judged, knowing that it may get thrown out, and my work does get thrown out. A lot.

Have I been ashamed? Oh yes. Countless times I’ve seen a rejection and instantly regretted ever sending any work out. There are plenty of rejection letters that my friends, family, and readers will never hear about. However, I wonder sometimes what my writer friends think. I know I like their posts and cheer them on for every success, but what about when they feel like they’ve failed? I feel like I fail 10x more than I succeed. I don’t want them to feel like they are alone. I want them to be proud of those rejections. I also don’t want them to be afraid of rejection because rejections do happen, especially to those who achieve success. You can’t have rainbows without rain, and all that jazz.

Be proud. Keep writing. Keep submitting. Be writers.

Thanks for reading.

-Lissy

Personal Posts

I Went to a Writing Covention and…

20160303_122012[1]I have never been so well dressed in my life. As many of you know, I am still in college, though I just recently signed up for graduation in December (yay!), and being in college I’ve had the opportunity to join the English Honor Society: Sigma Tau Delta. This offers a wide range of opportunities for all college writers, and I definitely recommend joining if one ever has the opportunity to do so. One perk that I took full advantage of was being able to submit a piece to the national convention, which means I would get a chance to travel out of state, attend a literary convention, and present my piece in front of all my peers and colleagues for my college. Needless to say, I was beyond pumped.

I submitted a short story and *spoilers* my short story was picked! It was probably one of FB_IMG_1456698771494[1]the more exciting moments of my life. I received the news at around 11 pm via email after a long shift at work, and I immediately called and woke up my boyfriend to tell him the good news, along with my mom, step-mom, and grandmother soon after. I told my colleagues at work over the course of a couple of months, had them read the story if they felt so inclined, and they made me feel more confident than I had ever been. Also, my friends got together and bought me this amazing messenger bag that they surprised me with a few days before I would be travelling. I cried. I hugged them all. Little did they know, it was a huge boost to my confidence, reminded me that I was worthy of being loved, as well as assured me in my abilities as a writer. I now refuse to carry anything else.

Then began planning. I lassoed my partner-in-crime, my boyfriend, into taking the 16-hour drive with me and we were off to Minneapolis, Minnesota. Along the way we went through Tennessee, Kentucky, Illinois (where I paid my first toll fee), and Wisconsin. After an extended 19-20 hour drive because I just couldn’t drive anymore past 2 am, we finally arrived in Minneapolis. I read my story, met millions of authors and poets, ate at every northern restaurant I could find, got lost multiple times in the Mall of America, enjoyed hours in the underground aquarium, and countless hours enjoying the cold weather with my boyfriend. I have always said I would one day live in Portland, Oregon, despite having never been there. However, now that I’ve been to Minnesota, I don’t think I could picture myself anywhere else. Only time will tell, I suppose.

Unfortunately, our time in Minnesota came to an end and we made the extended 19-20 hour drive back through Iowa, Missouri (where I also received my first speeding ticket), Arkansas, and Mississippi. It was a trip I don’t think I’ll ever forget. It was my first trip completely on the road, completely independent of any guardian, and completely paid for by me. It was a wonderful experience, and I can’t wait to take part in next year’s Sigma Tau Delta convention.

Want to read the story I presented? Did I mention I was approached by another author with an offer to publish it in anthology? No? Well, more on that once we get the details ironed out. Until then, thank you so much for reading, and I can’t wait to share more of my adventures on here.

-Lissy

Personal Posts

2 embarrassing reasons why life as an author ISN’T glamorous.

Very rarely do I find things embarrassing. The most embarrassing things are the funniest. So, for the sake of laughter, I share with you two reasons (experiences) that show you why life as a writer (or my life in general) IS NOT glamorous. At all. Not even a little bit.

  1. So, as a full-time student, part-time retail associate, and whenever-time writer, I often find myself creating time where I probably shouldn’t. For example, after a particularly long day of 8 a.m. to 5 p.m. in class and 5:30 p.m. to 10:45 p.m. at work, I found myself filled to the brim with weary inspiration. The moment I stepped through the door, I was already forming what had to be the novel of this generation (it actually ended up being a jumbled up pile of word vomit, but who was judging).It was at this time, approximately 11:10 p.m., I began crafting my masterpiece. I didn’t get done until approximately 2:00 a.m., which gave me about 3 hours of sleep before I had to wake up for my turnaround shift. I quite literally crawled from my desk to my bed and passed out without fuss. Didn’t change clothes. Didn’t shower. Nothing. As you can imagine, I was a sight (and a smell) to behold the next morning.Bleary and monstrous looking, I grumbled and tumbled out of bed into a fresh pile of clothing I had neglected to hang up the day before. Still half-asleep, I happened to find a fresh pair of khakis and my work polo. Without much thought, I slid both on and went on about my way. I’ll spare you the details on the rest of my “morning beauty routine.”

    I arrived at work, we opened the store, and I went on about my business, putting out freight and assisting cashiers. One of my cashiers, however, asked why I wasn’t picking up the store phone. It was then I realized I had forgotten to even pick it up that morning. So, I rushed back to my station to pick it up.

    However, when I went to slide it into my pocket, I realized I had no pockets. Huh. Well, that’s weird. I had just bought those pants not even two days before, and I swore they had, had pockets in them. I stopped, and I assessed myself. I placed my hands at the front of my pants where my pockets should have been, then dragged them around to my back side where my pockets actually were. With a little more feeling around, I also discovered my zipper was back there, too.

    Just then, my manager walked in. The same one that helped me open the store this morning and probably had seen my pants for the last 2 hours that I had been at work, yet hadn’t said anything. So, I straight up asked him,

    “*InsertManagerNameHere* Why didn’t you tell me I had my pants on backwards?”

    He gave me a shrug, then said, “I figured you were trying to make a fashion statement.”

    A fashion statement, indeed.

  2. This story happened long before the first one, but it involves the same manager. However, he didn’t just assume I was making a fashion statement. Perhaps this incident actually led to his action in the first story, or rather the lack thereof. Even worse, maybe now he just assumes I make these kinds of mistakes.As per usual, I had just gotten out of class at 3:00 p.m. and was heading to work for my closing shift. On days where I went to school, then worked, I tended to just wear my uniform to class. I wasn’t there to impress anybody (and I’m still not). So, I didn’t care if people saw me in uniform, and I was just too lazy to change clothes in the middle of the day. Especially since I’d only be wearing them for a few hours anyway.Well, when I got to work, my manager was standing at the door, just surveying the front end. Then, I walked by. There was a noticeable side glance, then a second take, and finally a flat out stare. Sure, I thought it was a bit strange, but it was just another day of work. Plus, I figured if it were that big of a deal, he would’ve said something. However, he didn’t say anything until I had already gotten on the register and checked out two or three people. Then he came up and asked,

    “Alyssa? Do you have a defective shirt?”

    I gave him a look, and rather than just look at my darn shirt, I asked,

    “Why?”

    He pointed.

    “Your tag is on the outside.”

    Then I looked, and behold. Rather than wearing my pants backwards for a few hours, I wore my shirt inside out to school and to work for an entire day. Yet, they still promoted me a few months later. I think they keep me for the lulz.

Thanks for reading.

-Lissy

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Personal Posts

How I define my writing style

It’s… contemplative. Introspective. Thoughtful. It is what most would call…

Boring.

Most people wouldn’t dare define their own writing as boring, but I’m doing just that. Why? Because it says a lot about who I am. While we’re told not to take bad reviews personally, and I tend not to, I do find it interesting that when I see a negative review, I automatically begin picking apart my personality before I pick apart the writing in question.

Yes, it’s a bad habit.

Yes, you still shouldn’t take bad reviews personally.

And yes, I’m a complete loon for using a review on my writing to review myself, but I look at it this way:

Writing is a part of me. If there is something wrong with my writing, I need to address why I write this way before I can even begin to address how to fix it. I’m not trying to fix myself. I’m trying to find the source of why I write the way I write.

As I’ve said before, I am an introvert through and through, which makes me a black sheep in my family. My mom was class clown in high school, she’s still a socialite today and is one of the most outgoing people I know. My dad was a football player, won dance competitions, and is so charismatic still today that he could sway the Devil away from sin if he wanted to. Then, there’s me.

I am an awkward potato. I’d rather sit behind a screen and talk to people who I can’t see and who can’t see me than I would actually going out and meeting people. I’m my most comfortable alone. Me, myself, and I, are my confidants and where I find peace. I’m hardly ever lonely, though that doesn’t mean I don’t long for company occasionally. I just like my thoughts, my quiet, and myself. I’m proud of myself, and I love myself. I like spending time with myself.

That’s how my writing is, too. My main characters spend a whole lot of time in their own heads. It’s boring to a lot of people… but the way people think is so interesting to me. I think the most dynamic prose can take place all in a character’s head. Besides, all of our favorite stories came from someone’s thoughts, ya know?

That’s not to say action is boring. On the contrary, action is much more popular and fun. After my last bad review, I’m going to try and deviate as much as I can from thought and add more action. Is it going to be better? Maybe. I won’t know until I try.

I’ve just finally accepted that not everyone is like me. It’s embarrassing to admit it took me so long to accept, but what can you do? Not everyone likes to just sit and mull around in their own heads. Even less like to read about other people doing it, but that’s the reason I write that way.

My style is my personality.

What about yours? I’m curious to see how everyone’s writing style aligns with their personality, or how their taste in books relates to their personality. What do you think? Is it okay that personality and style are intertwined? Or is it a writerly sin? Please, let me know, and comment below!

Thanks for reading.

-Lissy

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Writing

9 Things you need to know before you start to query.

The QueryShark badge
Not too long ago, I wrote a post on how to format a manuscript. Then, I wrote a post on things you need to know to traditionally publish.

Now it is time to learn how to actually go about getting published.

The number one thing you need to learn to land an agent or publishing deal is to query.

What is a query you might ask?

The simplest way I can think to explain it is to go to your bookshelf/book pile, pluck your favorite book off the top, and take a look at the back cover or the inside flap where the description of the book is.

This is essentially a query.

It is a brief description of your book that will entice readers (or agents, or publishers) to read pages. It is your marketing plan without actually saying, “Please, oh please, read me.”

Want to know how to write a back cover blurb? Click here to read my tips and tricks!

90% of what you need to put in a query is what you would want to put on the back of your book. Here is what you need to know before you start querying:

  1. READ THE SUBMISSION GUIDELINES
    I can’t say this enough. There is an industry standard when it comes to querying, but that doesn’t mean every single agent will have the same exact guidelines. Like I’ve said before, the number one reason for rejection is not reading the guidelines and being auto-rejected because the agent feels you are wasting their time. If you couldn’t take the time to read the guidelines, how could you have taken the time to polish your manuscript? To polish the query you’re sending to them? Just do it. Those five minutes you spend reading guidelines could very well make the difference between a request for pages and a form rejection.
  2. YOU WILL BE QUERYING MORE AGENTS THAN PUBLISHING HOUSES
    That’s just how it is. Most publishers won’t take you on unless you are represented by an agent – someone who knows the business. They are the gatekeepers. So don’t be surprised when you go on the hunt for publishers and no one is taking unsolicited, unrepresented authors. It’s to protect them from the ever-growing slush pile agents are having to sift through. Plus, they don’t want to have any legal battles with an unrepresented author who may not understand certain contracts or conditions. It’s just the business.
  3. YOU DON’T HAVE TO HAVE PUBLISHING CREDITS
    You don’t. They’re nice, sure, but you don’t have to have them. Don’t make it out like it is a huge deal either. Just at the end of your query, before your closing, simply put (… this is my first novel.) Simple. You aren’t the focus in a query. Your manuscript is. Don’t get hung up on the finer details.
  4. EDIT YOUR QUERY AS MUCH AS YOU EDITED YOUR NOVEL
    A standard query should be one page long. No more. Granted, there are exceptions, but for the most part, you shouldn’t go past a page. You want to take your novel, strip it down to the bare, bare bones without giving away the ending and there is your query. It sounds easier than it actually is. You should have as many revisions of your query as you did your novel. If you haven’t even revised your novel, don’t write a query. Want tips on editing a query? Click here!
  5. DON’T QUERY UNTIL THE NOVEL IS DONE
    You’re querying for a deal. In exchange for this deal of representation, you provide a finished and polished novel.
  6. MOST QUERIES SHOULD BE IN THIRD PERSON
    Even if your novel is in first-person, most first person queries are seen as gimmicks. What is third person? He, she, it. He did this. She said this. It did such and such.
  7. FORMATTING (SOLELY FOR EMAILS. READ THE SUBMISSION GUIDELINES FOR FURTHER INSTRUCTION. SHOULD BE PASTED IN THE BODY OF THE EMAIL)
    Dear Agent Name,Ashley Judd insertdramaticvoiceandstunningrevelationsoftriumphloveandacceptance, yatta yatta, blah, blah, blah.

    THE DRAMATIC VOICE AND STUNNING REVELATIONS is a horror novel complete at 45,000 words. It is my debut novel.

    Thank you for your time and consideration.

    Alyssa Hubbard

  8. DO NOT INCLUDE YOUR MANUSCRIPT, LINKS, OR ATTACHMENTS IF QUERYING BY EMAIL
    Certain spam filters hate links and attachments. Any and all queries, if requested by email, should be put into the body of the email. It shouldn’t be a wall of text. Make some white space. Don’t include anything that isn’t requested by the agent. Do not submit to an agent that just wants your full manuscript without prior query. That should be a red flag. A synopsis is fine, but only if it is in the guidelines.
  9. READ AS MANY QUERIES AS POSSIBLE
    The best way to learn how to write is to write and to read. The best way to learn to query is to read and write queries. My favorite query website is QueryShark. It’s a wonderful place to read bad queries, their revisions, and an actual agent’s feelings on queries. That blog is an extremely valuable tool that I visit quite often. You should, too.

How do you feel about these tips? Are you query ready? Have you queryed before? What has been your experience? Let me know, and comment below.

Thanks for reading.

-Lissy

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What Gaming Taught Me, Writing

4 Things Catherine taught me about writing

WARNING: THERE WILL BE SPOILERS. READ AT YOUR OWN RISK.

First a little background on the game Catherine, as described on the Catherine Wiki:

Catherine is an M-rated horror/romance/puzzle/adventure video game from Atlus USA, released on Xbox 360 and PlayStation 3. The game is developed by the same team that created Persona 3 and Persona 4: Katsura Hashino as Director, Shigenori Soejima as Character Designer, and Shōji Meguro as Sound Composer.

It deals heavily with the themes of commitment, relationships, infidelity, maturity and love, while intertwining the horror and mystery of a rash of unexplained deaths of young men, rumored to be the “Women’s Wrath”: vengeance against the unfaithful.

The story revolves around Vincent, his long-term girlfriend Katherine, and his subsequent affair with Catherine. Following the affair, he is plunged into nightmares each time he sleeps, which makes up the puzzle/action part of the game. Each night within his dream, Vincent must push and pull blocks from a tower to create a path to the top, all the while racing against a time-limit or outrunning bosses which are manifestations of his real-life fears.

During the day, Vincent can freely explore and talk to his friends at the bar, listen to music at a jukebox, send and receive text messages, order drinks, play an arcade game, and experience the narrative of his struggle of choosing between Katherine and Catherine. There are 8 possible endings based on the various choices the player makes throughout the game.

As you can probably tell, this is one of the run-of-the-mill Japanese horror games with endings separated out between “Good” and “Bad” endings depending on which woman you decide to pursue a relationship with, as well as how you treat other NPCs in the game. I’m a sucker for anything reminiscent to my anime fanatic days, then throw in a puzzle? Plus romance and horror? I was hooked from the start.

I’ve written about other games like Minecraft, Ico, Shadow of the Colossus, and Animal Crossing: New Leaf! Click the titles to see what I learned!

And of course, my writing life always intermingles with my gaming life, so here is what I learned from my time with the wonderful game Catherine:

  1. Your characters need motivation.
    They can’t just do things, just to do them. I mean, sure, I do some random crazy things, but most people don’t do that. So you have to give them a reason. Vincent is in love with Katherine, so why would he cheat on her? The creators had to give Katherine a bit of a controlling, pressuring side to push Vincent to seek a freer partner in Catherine. Otherwise, we would have no plot, or on the flip side, Vincent would just be a dumb asshole. Vincent is still a dumb asshole, but at least we can sympathize with him a little. He has a reason. It’s a crappy reason, but a reason.
  2. People should somewhat like your main character.
    They don’t have to necessarily love them, but they should at least be able to sympathize and root for them. Vincent is scum. I didn’t like him, but I felt bad because Katherine was somewhat mean to him… and I loved Katherine, so that was hard for me to admit in the end. I didn’t agree with what Vincent did, but there was a part of me that felt bad for him, too. Katherine made me want to like him. Which leads me to my next point:
  3. Side characters are important.
    The main character is Vincent. He is you, you are him. But Vincent’s story would be nothing without Catherine and Katherine, plus all of his friends. This is a very plot-driven game. You connect stories from the people you meet, and every decision you make interacting with these characters plays a role in what ending you get. If you ignore characters, they may die, which, in turn, will cause Vincent to miss out on an interaction. It makes a huge difference. Don’t forget those side characters.
  4. Your character’s decisions have consequences.
    They can’t do something bad and expect to get away without a scratch, unless of course they are master thieves, then I guess that could happen… but for our regular characters, there are scratches. Lots of them. Vincent is a cheater and depending on who you ultimately choose to be with, he doesn’t get away with the perfect girl with just a “Sorry, love ya.” Oh no, he has to go through hell to win her back – literally. Consequences create plot. Don’t be afraid to punish your babies.

This game was interesting, fun, and kept me going until the very end, and that’s how I want my books to feel. Have you played Catherine before? Think you will? How do you feel about these tips? Find them helpful? Let me know, and comment below!

Thanks for reading!

-Lissy

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Personal Posts

What your desk says about you

As a writer, we all have our special place. The place we feel the most creative and inspired, the place where writing is as easy as breathing, and mine just happens to be my desk.

The Creative Space
The Creative Space

This is my desk. My laptop next to my notepad, a cereal bowl, a coke with my name on it, a TV, and if I had moved a few more inches back you’d see my PS4. Something about this area is just me. I’ve written all of my books at my desk, and what about you? What is your area of choice?

What does your area say about you? Let me know, and comment below! Pictures are always fun, too.

Thanks for reading.

-Lissy

Want to be a beta reader? Click here to fill out the contact sheet, and let me know!
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Writing

Want to traditionally publish? Here are 8 things you need to know.

  1. Don’t post your work online.
    I made this mistake, and I see many others make this mistake. If you want to send your work out to agents and traditional publishers, don’t post it online! It is considered previously published if you do so, and this includes on your own blog, etc. Granted, every publisher and agent has its own opinion as to what “previously published” actually means, but I find it best to avoid posting it all together. Want critiques? It is best to go through private channels (i.e. email, beta groups with a private setting, etc.). Better yet, just pass around physical copies to people you know.
    But of course, as my dear friend Ann pointed out in the comment section, you can remedy this a bit. You can edit. Edit it to the point where there is little connecting the two pieces, thus, you have created something new. I have done this with a lot of older pieces. It works especially well when recycling works. Keep this in mind if you find a lot of your work fits into the “previously published” category. But keep in mind, this isn’t always a sure fix. Don’t rely too much on recycling. It’s always best just to keep the work off of the web from the start.
  2. Read the submission guidelines thoroughly.
    The number one reason for rejection is because people did not read the submission guidelines. Don’t make this careless mistake. It is easily avoided. Most people assume that if they follow the standard manuscript format, they’re in the clear, but every publisher works differently. Don’t assume the standard can just be passed around anywhere. Just read the damn guidelines.
  3. Most publishers require a writer to be represented.
    Publishers feel a writer needs to have representation to be considered for publication, which protects them as well as you. Find agents, submit to them, then they will help you submit to publishers. But remember, agents think like publishers. Agents aren’t going to take on just anybody, and they have rules just like publishers, so read the damn submission guidelines and you may save yourself from a rejection.
  4. Most publishers don’t like simultaneous submissions.
     Simultaneous submission – a submission which has been sent to multiple organizations at the same time. It sucks, but they do it so they’re not wasting time on a manuscript that could be picked up any minute. Here’s an example: Let’s say I send you a manuscript for publication consideration. You’re in the middle of it and you think it is damn sexy. This is quite possibly the sexiest manuscript you have ever read in your life, and right before you can tell me how much you love it, I send you this email:
    Sorry, not sorry, I signed a contract with someone else. Peace.
    Yeah, not cool.
    I know it sucks waiting around for, quite possibly, a rejection when you could be submitting to other places and increasing your chances, but there is a reason they do it. Don’t burn bridges by being an asshole and not following the rules.
  5. Don’t lie about simultaneously submitting a manuscript or its status as being previously published.
    The worst thing you can do is lie, other than not following the submission guidelines, but we’ve already talked about that. Wanna burn some bridges real quick? Go ahead and lie to a publisher. It pays to have friends in this business. It only takes a second for a publisher to find out if you’re lying. A quick google search of your manuscript, boom, there is your story posted for all the world to see. Those are potential customers they are missing out on because you’re just giving the work away for free. Why would someone pay for something they already can get for free? Definitely not a publisher or an agent. And don’t get yourself stuck by lying about simultaneously submitting. What if two publishers want your work, what then? You’re going to have to tell one you don’t want it. It’s going to piss people off real quick, and information like that spreads fast. Just be honest and do what you’re supposed to. Follow the rules.
  6. It can take months before you hear back. Don’t pester. Be patient.
    With the increase of technology, publishers have become more accessible to a much wider base of writers than when most submissions were solely through the mail. This means they’re getting mass amounts of submissions on a daily basis, and sifting through that slush pile takes a long time, especially when they have to find something worth publishing. Unfortunately, unless your name is Stephen King, your manuscript will be somewhere in that slush pile. Don’t be offended, that’s just how it is now. Just wait it out. Most publishers will give you a general wait period in their submission guidelines, as well as a time you can inquire about your manuscript if you haven’t heard back — just one more reason to actually read the damn submission guidelines.
  7. Sometimes, you just won’t hear back.
    The way things are now, with such a large slush pile, you may never hear back, which you can take as a rejection. There’s no point in writing them. If you’ve already inquired, and they’ve rejected your work, at least you heard back. If you wrote them, and they still haven’t responded, just move on. They’re too busy to reject you. There’s no point in dwelling on it.
  8. If you are rejected, do not argue with the publisher/agent.
    I don’t care if they called it garbage, called you garbage, and danced on your mother’s grave, you need to be the bigger person. I don’t mean you have to send them a “Thank You” note or anything. Just move on. There have been way too many horror stories involving writers fighting with publishers over being rejected. They took the time to reject you. They don’t even have to do that. It sounds strange, but you should be thankful they took the time to reject you. Don’t become one of those horror stories that gets passed around the internet every week. You’ll burn every bridge in the business, and you can kiss any chance at traditional publication good-bye.

So, how do you feel about this list? Does it upset you? Does it all make sense? Are you trying your hand at traditional publication? Have you been successful? Have you experienced any of these things? Let me know, and comment below!

Thanks for reading.

-Lissy

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