Writing

Writing Mediums

Hello everyone!

This is technically a repost, but the old content was so useless (in my opinion), that there was no point in editing it or using it in any capacity. Instead, I want to pose a question, and maybe explore how some of the different tools we use to write change the way we write. Maybe multiple mediums can be used in tandem and how that, too, changes the way we write.

The questions I want to pose are: What do you use to write? What do you use to edit?

My answer: A lot. I write with pen and paper, as well as Word on my laptop. I used to be really big into Scrivener, but I find it’s best for editing and formatting. Plus, the hype died for it, so I fell off that train. I guess I just use whatever I feel like when the mood hits. I find I use pen and paper for poetry more than prose. I guess because poetry tends to be shorthand, so it’s just a quick way to get everything down without having to sit and spend a bit of time at the computer.

Another question I’ve always wanted to ask is how many of you write poetry? During my time in undergrad, I found that there were a lot more poets than I initially thought. Poetry doesn’t seem as accessible as prose, so I didn’t feel that poets were as common as they are. I’d really like to know what mediums poets use, specifically, but prose is always welcome.

Let’s start a discussion. I’m really interested in what mediums are out there that I haven’t even heard of. Maybe there are ways of using a medium that I haven’t even thought of. Share any of your thoughts in the comments below.

Thank you for reading!

-Lissy

Writing

My Editing Technique

Hello!

This is, once again, an edit and repost of an old post I had. I am beginning to realize these are less simple edits and more just flat out rewrites. You know that feeling you get when you scroll through your FaceBook feed from… I don’t know, ten years ago? It starts off all nostalgic and rose-colored, then it just gets more and more cringey. Everything seems so much better, until you actually see it. Well, that’s what ended up happening to me. I went back, started reading these posts, and wondered how anyone read any of this.

I had a tendency to make everything more convoluted and complicated than it had to be, and the same goes for my “editing technique,” whatever the heck that is… Needless to say, I don’t edit the same way I did when this post was originally made (May 4, 2013, jeeeeez). So, it’s time to update. Here is how I edit today:

  • Something that hasn’t changed: don’t edit until you finish.
    This is pretty much the only thing I held on to from my old “editing technique.” I don’t edit anything until I “finish” the piece. Now I say “finish” because until you’ve edited the piece a couple times, I don’t think it’s finished. Regardless, I don’t edit any of it until I’ve finished the first draft. I think if anything, I’ve actually gotten stricter on this. Before, I’d do some minor edits as I wrote, like fixing a misspelling, putting in missing punctuation etc. Now, I won’t even fix things like that. I don’t pay any attention to anything expect putting words on paper.
  • Finish the 1st draft, then add and subtract.
    Even after I’ve completed the first draft, I don’t do any copy editing, which is grammar and mechanics editing. I focus on substantive editing. I add things, I cut things, I move things around… this is the fun part of editing because, honestly, it’s still just writing.
  • From substance to mechanics.
    Once I think I have everything I want to keep, in the order I want to keep it in, I move on to the nitty-gritty: copy editing. I go through and fix all those mechanical issues, grammar issues, misspellings, etc. This is my least favorite because it just proves the point that you never get anything right the first time, and there are always things you need to improve. No matter how long I write, or how many degrees I earn, I still spend the most time copy editing.
  • Let her rest.
    After long rounds of cutting, adding, and editing, the old eyes need to rest. The piece needs to rest, but so do I. I let my piece rest for a day or two before picking it back up, then I do another round of copy edits, and from there just proofread daily until I feel confident in my piece.

And there you have it. Short, sweet, and to the point. It’s weird how time sorta edits us, too, as writers. Before, I was very long-winded and tried to sound smart, but was more obnoxious than anything else. I have pared down how much I write (though let’s be honest, not that much), and I don’t feel the need to prove I am well-spoken. But we’re getting away from the point of the post, and I think that means it’s a good time to wrap it up.

So, thanks for reading.

-Lissy

Writing

3 Perks of Being a Writer (aka stuff I discovered my last semester of undergrad)

Hello all!

As some of you know, I have graduated with my BA in English *cue roaring applause.* Thank you, thank you. Anyway, being a recent-undergrad grad, I find myself lost in a sea of post-grad depression. I’m discovering it’s very hard to be determined and focused without the familiar structure of school plus work-life. Without one half of that combo, all I do is work and come home, which leaves me a lot more time to just… think, and I have done a lot of that recently.

I call it thinking, but really I’m just drowning in a sea of nostalgia. I think it may be that it just recently happened, but I have been ruminating on my final creative writing class. It was so different, and the professor was just as different. This professor just boggled my brain. Don’t get me wrong, I learned a lot throughout my entire undergraduate career, but something about that final class during that final semester just really resonated with me. I talk a lot about writing, the crafting of it, the mechanics of it, etc. However, I didn’t realize there were also a set of perks that came along with the title of writer. That is what my final creative writing class taught me, and I wanted to share some of those today.

Well, enough of that. Let’s get going.

  1. Calling yourself what you are — a writer — can open some doors.
    Of course it’s always nice to have the proof to back it up, but just by claiming you are from the get-go, it can provide a huge amount of opportunities. For example, I’ve been working on a piece centered around the history of a bronze sculpture. It probably goes without saying that I know jack squat about bronze and how it reacts to certain elements and time in general. So, I did some googling and found a person that works with bronze metals and restores older pieces from various stages of wear tear. I sent him an email, making sure I mentioned that I was just a writer hoping to expand my knowledge on the subject. He was beyond helpful. He sent pictures, asked me questions about my fictional bronze sculpture, and even helped shaped my story. Just by letting him know I was writer and wanted to learn, I gained so much knowledge and ended up having a great experience I might not have otherwise.
  2. You are always building a portfolio.
    If you are a writer, you are also a creator. You are constantly creating something, and as such you are always building a portfolio. My professor always told us to attack everything we wrote as if someoneanyone might read it. That is something I never really thought of when writing, but it has become truer and truer the farther I travel from my undergraduate career into my professional one. You don’t really realize how many of the pieces you work on you can eventually use in a professional setting. I recently (and by recently I mean 3 weeks ago) I was hired by my dream company *cue second roaring applause.* Thank you, thank you, but surprisingly (or perhaps, unsurprisingly) my job doesn’t directly deal with writing in any way. Even so, I had so much to put on my resume and into my portfolio that proved I was capable of working in a professional setting. They proved to my now-employer that I could meet deadlines, that I could communicate effectively, and that I was able to complete projects effectively. I provided them with multiple versions of one piece to prove I had an eye-for-detail, that I am dedicated, and that I am not discouraged by failure. By constantly creating, you are constantly creating proof of your skills and character. We spend so much time learning to show and not tell, and by doing so, we are creating ways to show our skills, rather than just tell people we have them.
  3. You can always be a writer.
    No matter what path my life takes, I will always be a writer. If I stay on my current career path, if I decide to do something else, if 40 years pass, if pen and paper become obsolete, if we all have to move to another planet, if the world implodes… doesn’t matter. I can and will always be a writer. As long as you writer, you are a writer. A writer is someone who writes journals, who writes for a newspaper, who writes just for their mom, who blogs, who writes grocery lists, who writes poems, who writes stories, who tells stories, who records stories on a laptop, phone, tape recorder… if you believe you are a writer, all you need to do to prove it is to write. Simple as that. To prove you are a doctor, you need a license. To prove you are a NASA employee, you need references, or name badges, or check stubs… but a doctor doesn’t need a license to prove he is a writer, too. He is a writer because he writes.

Are these perks super cool? Probably not to everyone, and maybe not even that cool to many of my fellow writers. Regardless, I hope you got something out of this. Be proud, writers. Read, write, repeat.

Thanks for reading.

-Lissy

Writing

Where is “The End”

Hello all!

I’ve made it a point to go back and look through old posts, edit them, refine them, and cringe at them. This was the first post I ever made on this blog/website/thing. How ironic that the beginning was about the end. What is more ironic? I preached, repeatedly in that old post that there is an end. You shouldn’t feel obligated to change things, to keep going, etc. Yet, here I am, going back to posts I thought were at one time finished, and keeping them going.

The reason I chose this post? I changed my mind. Simple as that.

There is an end, but it can always be changed. Now prepare for my anecdote as to why I’ve had this change of heart:

This fall (Fall 2016) was the last semester of my undergraduate degree. I took classes just for the sake of credits, so I had a chance to take classes I wanted, rather than classes I needed. I took an advanced creative writing class where the theme was “Ghosts.” Super cool, right? Anyway, we had to have one-on-one sessions with the professor. We were to bring a piece we wanted him to look over, and we’d spend the time talking about it. It was super generative and very helpful.

I brought an older piece that I’ve been working on on-and-off for the past year or two. He read it over, silent, for a good fifteen to twenty minutes. He stopped and said “It was fun.” I was pleased. I thought it was done. I was ready to start writing cover letters and sending it off to publications. Then, he asked me, “Why did you bring it?” I sat there for a while, mulling that question over. Why? Why not? I wanted someone with experience to look it over? I wanted someone to say “yay” or “nay,” to it? I wanted a lot of things, but I didn’t know how to respond. He clarified, “There’s a reason you’re still looking this over. If it was done, you wouldn’t bring it.”

That was so true. I wouldn’t keep looking at it if I didn’t feel there was something more. If I didn’t feel there was something I was missing, why wait to send it off? I didn’t have a good answer. Then, I remembered this old post I wrote. This post where I said there comes a time that you just need to stop. There is an end, and sometimes you have to force yourself to put it away. While I do think there comes a point where you start over-editing, over-writing, etc. I also think you shouldn’t settle. If you feel like something isn’t right, don’t stop writing. Don’t stop editing. Keep going because you may eventually find a better end than you had before.

So, I’m going to keep working on this piece. I am also going to go back and edit some of these posts because, let’s face it, they are definitely not done.

Be proud. Keep writing. Keep submitting. Be writers.

Thanks for reading.

-Lissy

Personal Posts

I’ve Been Rejected

Hello friends, newcomers, etc. It’s been a long time since I’ve written a blog post. Rather, it’s been a long time since I felt I had something worth blogging about. Recently, I’ve had a spurt of poetry submissions flying from my desk. As I’ve said time and time again, I never thought of myself as a poet. Yet, that particular form seems to be the only one my mind is capable of creating as of late.

Thankfully, I’ve had some good luck. I have a poem coming out in a magazine. I also have a short story being published in an anthology. Did I mention I’m also getting paid for these publications? As many of my writer friends know, it’s hard to find a paid publication, especially ones that take on new, unsolicited manuscripts.

Even though I’ve had so many positive outcomes from my publishing pursuits, and I’ve made sure to document it all on social media, there’s something I haven’t really talked about with anyone.

For every one acceptance email/letter I receive, I get about 10 of these:

Why do I bring this up? Because I almost always post on  Facebook, Instagram, Twitter, etc. about all of my accomplishments. No one sees the rejections. While, yes, it is a good bit disheartening to see a rejection in my mailbox, I am proud of my rejections. I am not ashamed. I created something I felt was worthy of being read. I put it out in the world to be judged, knowing that it may get thrown out, and my work does get thrown out. A lot.

Have I been ashamed? Oh yes. Countless times I’ve seen a rejection and instantly regretted ever sending any work out. There are plenty of rejection letters that my friends, family, and readers will never hear about. However, I wonder sometimes what my writer friends think. I know I like their posts and cheer them on for every success, but what about when they feel like they’ve failed? I feel like I fail 10x more than I succeed. I don’t want them to feel like they are alone. I want them to be proud of those rejections. I also don’t want them to be afraid of rejection because rejections do happen, especially to those who achieve success. You can’t have rainbows without rain, and all that jazz.

Be proud. Keep writing. Keep submitting. Be writers.

Thanks for reading.

-Lissy

Writing

9 Things you need to know before you start to query.

The QueryShark badge
Not too long ago, I wrote a post on how to format a manuscript. Then, I wrote a post on things you need to know to traditionally publish.

Now it is time to learn how to actually go about getting published.

The number one thing you need to learn to land an agent or publishing deal is to query.

What is a query you might ask?

The simplest way I can think to explain it is to go to your bookshelf/book pile, pluck your favorite book off the top, and take a look at the back cover or the inside flap where the description of the book is.

This is essentially a query.

It is a brief description of your book that will entice readers (or agents, or publishers) to read pages. It is your marketing plan without actually saying, “Please, oh please, read me.”

Want to know how to write a back cover blurb? Click here to read my tips and tricks!

90% of what you need to put in a query is what you would want to put on the back of your book. Here is what you need to know before you start querying:

  1. READ THE SUBMISSION GUIDELINES
    I can’t say this enough. There is an industry standard when it comes to querying, but that doesn’t mean every single agent will have the same exact guidelines. Like I’ve said before, the number one reason for rejection is not reading the guidelines and being auto-rejected because the agent feels you are wasting their time. If you couldn’t take the time to read the guidelines, how could you have taken the time to polish your manuscript? To polish the query you’re sending to them? Just do it. Those five minutes you spend reading guidelines could very well make the difference between a request for pages and a form rejection.
  2. YOU WILL BE QUERYING MORE AGENTS THAN PUBLISHING HOUSES
    That’s just how it is. Most publishers won’t take you on unless you are represented by an agent – someone who knows the business. They are the gatekeepers. So don’t be surprised when you go on the hunt for publishers and no one is taking unsolicited, unrepresented authors. It’s to protect them from the ever-growing slush pile agents are having to sift through. Plus, they don’t want to have any legal battles with an unrepresented author who may not understand certain contracts or conditions. It’s just the business.
  3. YOU DON’T HAVE TO HAVE PUBLISHING CREDITS
    You don’t. They’re nice, sure, but you don’t have to have them. Don’t make it out like it is a huge deal either. Just at the end of your query, before your closing, simply put (… this is my first novel.) Simple. You aren’t the focus in a query. Your manuscript is. Don’t get hung up on the finer details.
  4. EDIT YOUR QUERY AS MUCH AS YOU EDITED YOUR NOVEL
    A standard query should be one page long. No more. Granted, there are exceptions, but for the most part, you shouldn’t go past a page. You want to take your novel, strip it down to the bare, bare bones without giving away the ending and there is your query. It sounds easier than it actually is. You should have as many revisions of your query as you did your novel. If you haven’t even revised your novel, don’t write a query. Want tips on editing a query? Click here!
  5. DON’T QUERY UNTIL THE NOVEL IS DONE
    You’re querying for a deal. In exchange for this deal of representation, you provide a finished and polished novel.
  6. MOST QUERIES SHOULD BE IN THIRD PERSON
    Even if your novel is in first-person, most first person queries are seen as gimmicks. What is third person? He, she, it. He did this. She said this. It did such and such.
  7. FORMATTING (SOLELY FOR EMAILS. READ THE SUBMISSION GUIDELINES FOR FURTHER INSTRUCTION. SHOULD BE PASTED IN THE BODY OF THE EMAIL)
    Dear Agent Name,Ashley Judd insertdramaticvoiceandstunningrevelationsoftriumphloveandacceptance, yatta yatta, blah, blah, blah.

    THE DRAMATIC VOICE AND STUNNING REVELATIONS is a horror novel complete at 45,000 words. It is my debut novel.

    Thank you for your time and consideration.

    Alyssa Hubbard

  8. DO NOT INCLUDE YOUR MANUSCRIPT, LINKS, OR ATTACHMENTS IF QUERYING BY EMAIL
    Certain spam filters hate links and attachments. Any and all queries, if requested by email, should be put into the body of the email. It shouldn’t be a wall of text. Make some white space. Don’t include anything that isn’t requested by the agent. Do not submit to an agent that just wants your full manuscript without prior query. That should be a red flag. A synopsis is fine, but only if it is in the guidelines.
  9. READ AS MANY QUERIES AS POSSIBLE
    The best way to learn how to write is to write and to read. The best way to learn to query is to read and write queries. My favorite query website is QueryShark. It’s a wonderful place to read bad queries, their revisions, and an actual agent’s feelings on queries. That blog is an extremely valuable tool that I visit quite often. You should, too.

How do you feel about these tips? Are you query ready? Have you queryed before? What has been your experience? Let me know, and comment below.

Thanks for reading.

-Lissy

Want to be a beta reader? Click here to fill out the contact sheet, and let me know!
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What Gaming Taught Me, Writing

4 Things Catherine taught me about writing

WARNING: THERE WILL BE SPOILERS. READ AT YOUR OWN RISK.

First a little background on the game Catherine, as described on the Catherine Wiki:

Catherine is an M-rated horror/romance/puzzle/adventure video game from Atlus USA, released on Xbox 360 and PlayStation 3. The game is developed by the same team that created Persona 3 and Persona 4: Katsura Hashino as Director, Shigenori Soejima as Character Designer, and Shōji Meguro as Sound Composer.

It deals heavily with the themes of commitment, relationships, infidelity, maturity and love, while intertwining the horror and mystery of a rash of unexplained deaths of young men, rumored to be the “Women’s Wrath”: vengeance against the unfaithful.

The story revolves around Vincent, his long-term girlfriend Katherine, and his subsequent affair with Catherine. Following the affair, he is plunged into nightmares each time he sleeps, which makes up the puzzle/action part of the game. Each night within his dream, Vincent must push and pull blocks from a tower to create a path to the top, all the while racing against a time-limit or outrunning bosses which are manifestations of his real-life fears.

During the day, Vincent can freely explore and talk to his friends at the bar, listen to music at a jukebox, send and receive text messages, order drinks, play an arcade game, and experience the narrative of his struggle of choosing between Katherine and Catherine. There are 8 possible endings based on the various choices the player makes throughout the game.

As you can probably tell, this is one of the run-of-the-mill Japanese horror games with endings separated out between “Good” and “Bad” endings depending on which woman you decide to pursue a relationship with, as well as how you treat other NPCs in the game. I’m a sucker for anything reminiscent to my anime fanatic days, then throw in a puzzle? Plus romance and horror? I was hooked from the start.

I’ve written about other games like Minecraft, Ico, Shadow of the Colossus, and Animal Crossing: New Leaf! Click the titles to see what I learned!

And of course, my writing life always intermingles with my gaming life, so here is what I learned from my time with the wonderful game Catherine:

  1. Your characters need motivation.
    They can’t just do things, just to do them. I mean, sure, I do some random crazy things, but most people don’t do that. So you have to give them a reason. Vincent is in love with Katherine, so why would he cheat on her? The creators had to give Katherine a bit of a controlling, pressuring side to push Vincent to seek a freer partner in Catherine. Otherwise, we would have no plot, or on the flip side, Vincent would just be a dumb asshole. Vincent is still a dumb asshole, but at least we can sympathize with him a little. He has a reason. It’s a crappy reason, but a reason.
  2. People should somewhat like your main character.
    They don’t have to necessarily love them, but they should at least be able to sympathize and root for them. Vincent is scum. I didn’t like him, but I felt bad because Katherine was somewhat mean to him… and I loved Katherine, so that was hard for me to admit in the end. I didn’t agree with what Vincent did, but there was a part of me that felt bad for him, too. Katherine made me want to like him. Which leads me to my next point:
  3. Side characters are important.
    The main character is Vincent. He is you, you are him. But Vincent’s story would be nothing without Catherine and Katherine, plus all of his friends. This is a very plot-driven game. You connect stories from the people you meet, and every decision you make interacting with these characters plays a role in what ending you get. If you ignore characters, they may die, which, in turn, will cause Vincent to miss out on an interaction. It makes a huge difference. Don’t forget those side characters.
  4. Your character’s decisions have consequences.
    They can’t do something bad and expect to get away without a scratch, unless of course they are master thieves, then I guess that could happen… but for our regular characters, there are scratches. Lots of them. Vincent is a cheater and depending on who you ultimately choose to be with, he doesn’t get away with the perfect girl with just a “Sorry, love ya.” Oh no, he has to go through hell to win her back – literally. Consequences create plot. Don’t be afraid to punish your babies.

This game was interesting, fun, and kept me going until the very end, and that’s how I want my books to feel. Have you played Catherine before? Think you will? How do you feel about these tips? Find them helpful? Let me know, and comment below!

Thanks for reading!

-Lissy

Want to be a beta reader? Click here to fill out the contact sheet, and let me know!
Want to guest post? Want to trade posts?
Same goes to you! 
Don’t be shy!

Want to check out some books?
CLICK HERE

 

Writing

Want to traditionally publish? Here are 8 things you need to know.

  1. Don’t post your work online.
    I made this mistake, and I see many others make this mistake. If you want to send your work out to agents and traditional publishers, don’t post it online! It is considered previously published if you do so, and this includes on your own blog, etc. Granted, every publisher and agent has its own opinion as to what “previously published” actually means, but I find it best to avoid posting it all together. Want critiques? It is best to go through private channels (i.e. email, beta groups with a private setting, etc.). Better yet, just pass around physical copies to people you know.
    But of course, as my dear friend Ann pointed out in the comment section, you can remedy this a bit. You can edit. Edit it to the point where there is little connecting the two pieces, thus, you have created something new. I have done this with a lot of older pieces. It works especially well when recycling works. Keep this in mind if you find a lot of your work fits into the “previously published” category. But keep in mind, this isn’t always a sure fix. Don’t rely too much on recycling. It’s always best just to keep the work off of the web from the start.
  2. Read the submission guidelines thoroughly.
    The number one reason for rejection is because people did not read the submission guidelines. Don’t make this careless mistake. It is easily avoided. Most people assume that if they follow the standard manuscript format, they’re in the clear, but every publisher works differently. Don’t assume the standard can just be passed around anywhere. Just read the damn guidelines.
  3. Most publishers require a writer to be represented.
    Publishers feel a writer needs to have representation to be considered for publication, which protects them as well as you. Find agents, submit to them, then they will help you submit to publishers. But remember, agents think like publishers. Agents aren’t going to take on just anybody, and they have rules just like publishers, so read the damn submission guidelines and you may save yourself from a rejection.
  4. Most publishers don’t like simultaneous submissions.
     Simultaneous submission – a submission which has been sent to multiple organizations at the same time. It sucks, but they do it so they’re not wasting time on a manuscript that could be picked up any minute. Here’s an example: Let’s say I send you a manuscript for publication consideration. You’re in the middle of it and you think it is damn sexy. This is quite possibly the sexiest manuscript you have ever read in your life, and right before you can tell me how much you love it, I send you this email:
    Sorry, not sorry, I signed a contract with someone else. Peace.
    Yeah, not cool.
    I know it sucks waiting around for, quite possibly, a rejection when you could be submitting to other places and increasing your chances, but there is a reason they do it. Don’t burn bridges by being an asshole and not following the rules.
  5. Don’t lie about simultaneously submitting a manuscript or its status as being previously published.
    The worst thing you can do is lie, other than not following the submission guidelines, but we’ve already talked about that. Wanna burn some bridges real quick? Go ahead and lie to a publisher. It pays to have friends in this business. It only takes a second for a publisher to find out if you’re lying. A quick google search of your manuscript, boom, there is your story posted for all the world to see. Those are potential customers they are missing out on because you’re just giving the work away for free. Why would someone pay for something they already can get for free? Definitely not a publisher or an agent. And don’t get yourself stuck by lying about simultaneously submitting. What if two publishers want your work, what then? You’re going to have to tell one you don’t want it. It’s going to piss people off real quick, and information like that spreads fast. Just be honest and do what you’re supposed to. Follow the rules.
  6. It can take months before you hear back. Don’t pester. Be patient.
    With the increase of technology, publishers have become more accessible to a much wider base of writers than when most submissions were solely through the mail. This means they’re getting mass amounts of submissions on a daily basis, and sifting through that slush pile takes a long time, especially when they have to find something worth publishing. Unfortunately, unless your name is Stephen King, your manuscript will be somewhere in that slush pile. Don’t be offended, that’s just how it is now. Just wait it out. Most publishers will give you a general wait period in their submission guidelines, as well as a time you can inquire about your manuscript if you haven’t heard back — just one more reason to actually read the damn submission guidelines.
  7. Sometimes, you just won’t hear back.
    The way things are now, with such a large slush pile, you may never hear back, which you can take as a rejection. There’s no point in writing them. If you’ve already inquired, and they’ve rejected your work, at least you heard back. If you wrote them, and they still haven’t responded, just move on. They’re too busy to reject you. There’s no point in dwelling on it.
  8. If you are rejected, do not argue with the publisher/agent.
    I don’t care if they called it garbage, called you garbage, and danced on your mother’s grave, you need to be the bigger person. I don’t mean you have to send them a “Thank You” note or anything. Just move on. There have been way too many horror stories involving writers fighting with publishers over being rejected. They took the time to reject you. They don’t even have to do that. It sounds strange, but you should be thankful they took the time to reject you. Don’t become one of those horror stories that gets passed around the internet every week. You’ll burn every bridge in the business, and you can kiss any chance at traditional publication good-bye.

So, how do you feel about this list? Does it upset you? Does it all make sense? Are you trying your hand at traditional publication? Have you been successful? Have you experienced any of these things? Let me know, and comment below!

Thanks for reading.

-Lissy

Want to be a beta reader? Click here to fill out the contact sheet, and let me know!
Want to guest post? Want to trade posts?
Same goes to you! 
Don’t be shy!

Want to check out some books?
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Personal Posts, What Gaming Taught Me, Writing

What I learned about writing from Animal Crossing: New Leaf

It’s been a long time since I wrote a post about what I’ve learned from video games and how that can be applied to writing.

I’ve actually written two others, one about Minecraft another about Ico and Shadow of the Colossus.

As it has happened with so many other gamers, life has snuck up and taken away my lovely game time. Work, internships, and writing have all had their fun with my gaming time, especially console gaming. To make up for it, I purchased Animal Crossing: New Leaf (ACNL) for my 2DS, a clunky throwback to old school handhelds, which I actually prefer over the new 3DS systems.

But anyway…

And did I fall in love?

I fell. I fell straight into a pitfall seed.

I love this game. It’s mind-numbing. Just how I like them, and with a wide array of NPCs, there’s hardly a dull moment.

Granted, this game isn’t for everyone. If you don’t like the following, steer clear:

  • Paying off your mortgage only to expand your home and pay that off, etc. etc.
  • Watering flowers
  • Running errands
  • Purchasing furniture and decorating
  • Taking part in town festivals
  • Being mayor
  • Fishing, catching bugs, etc.
  • Selling said fish and bugs
  • Working at a coffee shop
  • Drinking coffee
  • BALLOONS
  • Fossils
  • Museums / Donating to museums
  • Dance clubs
  • Buying clothes and trying on new clothes
  • Talking animals

Yep. That’s the game in a nutshell. It’s wonderful, and there are some pretty great communities to take part in, too.  Now, what can we learn about writing from this? Well, onward to the list!

  • Separating your voice from your characters.
    Everyone has their own voice when writing. There will always be a certain part of yourself in every bit of writing you do. Whether it’s things you love, things you hate, a character based off a person or kind of person you hate, there will always be a little bit of you in there. The key is to make their voices different. If you give them all your voice, then you’ve basically made clones of yourself. How did I learn this from ACNL? With 33 different villager characters and set villager personalities, I found that even having two lazy villagers in the same town, didn’t mean I would hear the same things from them. For whatever reason, they just felt different to me. They each had their own voice. You can have similar personalities, but you really shouldn’t have the same voice.
  • Rules are rules.
    Just because you’re mayor in a town of talking animals, doesn’t mean you can do just anything. There are rules, time periods that need to be followed. You have a mortgage to pay, work to be done in the town to keep it nice and to further develop it. And who pays for those developments? You. So you have to make money by catching fish, which come at different times of the day, then wait until you pay it off, plus a day, for it to be done before you begin working on the next project. It’s important to give your characters rules. If they can do anything they want at any time, what would be the point? Where is the conflict? What is your story? You don’t have to make them your everyday Joe’s, but give them rules.
  • Men don’t have to wear suits and ties/Women don’t have to wear dresses (Click the link to read more on gender in writing!).
    I’m not going to lie, this is one of the many problems I have when writing up characters. It’s so easy to fall into the stereotypes of women just being women, and men just being men, when I myself have been made fun of my entire life for being the opposite. I was, and still very much am, a tomboy. I hate makeup, I dislike most dresses, and I’d much rather play video games than go shopping. Shopping literally makes me ill. I’ve been called a dike and a lesbian more times than I can recount. At a certain point in the game, I was able to buy men’s clothing and get male hair cuts. It was then I realized, you don’t have to be feminine to be a woman. I am a woman, and I am not feminine. I have a boyfriend, I have friends, I am woman without subjecting myself to all things stereo-typically woman. A woman can be masculine without being a lesbian, and the same is true for a man being a bit more feminine. This pic says it best:
Well, it’s 2014… but you get the idea.

Well, those are my top three. If I think of any more, I may add to this post. The game is still being updated, and I’m still learning as I go along. What have you learned? Have you played Animal Crossing? Any of them? How do you feel about my post? Let me know, and comment below!

Thanks for reading!

-Lissy

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Writing

How to Write Female and Male Characters

When I am asked this question, I like to refer back to one of my favorite picture sets of all time:

Same goes for men.

But anyway, I know this is a serious question. I’ll give it a serious answer, but first let me reflect on something I’ve recently been toying with. Have you ever thought about writing something without any genders at all? Nothing at all. I’m not saying write a story about a genderless species or aliens (though that is always cool), I’m saying writing a story where even you don’t know the genders until the end. It’s very interesting to see what comes out.

If you’re having to ask this question, maybe this is something you can try. Create a personality, one without a gender or name associated with it. I often pick names of seasons or months just to identify different voices, then at the end go back and see how they feel. Maybe you can try this? See if you like it? Regardless, onward to the post:

  • Personalities aren’t the same as a gender.
    Not all women are feminine, not all men are masculine. Not all women want to be out of the house, some men want to be house-husbands. Not all women like dresses and Gossip Girl, not all men like cars and women, at least not exclusively. Make a personality, give the character likes and dislikes, make a person before you make a woman or a man. It’s much easier to write a character when they have a personality of their own. That way, gender isn’t the only thing that separates them from other characters. It’s easy to say, she’s a woman, he’s a man. It’s much better to say she’s a gamer who likes to read and make fart jokes, and he’s an outgoing socialite. See? Personality isn’t synonymous with gender.
  • Gender identifiers.
    If you have a character with a stunning personality, or shitty personality, whatever, and you still feel like your character’s gender isn’t “real,” then here is a short list of things often associated with men and women:
    This can differ depending on their jobs or personalities, so keep that in mind, too. Don’t sacrifice your character’s personality for these stereotypes. Not all of them apply to every woman or man, and these shouldn’t be considered 100% factual. A lot of these are plain wrong, but coming from beta readers, this has been my experience, which is unfortunately skewed.
    -In dialogue men tend to have shorter sentences, women tend to be more detail-oriented with their speech.
    -Men tend to “worry” less than women. A woman will often times have more nervous body language, men more relaxed.
    -Women are thought-oriented. If you have lengthy expositions of just thought, it is more likely to be considered a woman.
    -Women tend to multitask (i.e. listening to music while reading), while men are often found doing a single task.
    -Women have closed body language (arms crossed or held close to the body, legs crossed), men are more open (arms resting on their knees, legs spread).
    -Men are less likely to touch each other, women are a lot more personable and polite with one another (though neither may feel that way).

In short, just write the character. Everyone’s different, and there is no way you can encapsulate the entire gender within a single character. So, what do you think? Are you as disappointed with the gender stereotypes as I am? Do you agree that personality isn’t synonymous with gender? Anything you’d like to add? Let me know, and comment below!

Thanks for reading!

-Lissy

Want to be a beta reader? Click here to fill out the contact sheet, and let me know!
Want to guest post? Want to trade posts?
Same goes to you! 
Don’t be shy!

Want to check out some books?
CLICK HERE